Thank God, Charles Dickens and Jill Santoriello for finally getting a magical, dramatic, tender yet powerful, life-changing musical back on the Broadway stage. It’s been far, far too long that we (the musical theatre loving audience) have been waiting for a story to move us as A TALE OF TWO CITIES does.

From the first stirring swells of the orchestra, to the sweet sound of stunning voices, coupled with the creative set (Tony Walton), lighting (Richard Pilbrow) and costumes (David Zinn), this musical is what Broadway is supposed to be.

We go to Broadway to be swept away to a place that we cannot go without the magic of  theatre. And this show does exactly that. It's a story about love; true, unselfish, love. Yes, there is romance and passion in every word, look and movement. But beyond that, there is a remarkable blend of suffering and salvation reflected in the familiarity of these characters, superbly expressed through music.  

Yes, just like everyone else, I’d heard the scathing reviews. And upon hearing this I immediately decided that A TALE OF TWO CITIES was a must see. I never trust the critics. I trust the audience (and my gut).

 Even Richard Ouzounian in his bitter review of the show stated, "The audience stood and cheered at the preview I attended. Some even wept." See, the audience loves the show – it’s only a few, people – unfortunately those with the pen – that didn’t get it. (I often wonder why – but “the psychology of the critic" is a topic for another blog post.)

 All too often, because too many listen to those that are paid to comment on art (rather than those that pay to see a performance), shows suffer and close before their time. And I’m afraid that because of a few cruel and inaccurate assessment of this beautiful story in song, this masterpiece could be driven out of the theatre. So I felt compelled to bring it your attention and ask you to make the choice yourself. Go ahead and see good theatre against the critics advice. With our purchasing power we can buy the ticket that will keep shows like this open and keep Broadway alive.

The irony I found in many of the initial reviews, was that they complained that one of the show's major flaws was a similarity to Les Miz. But Les Miz – unarguably the best musical in its genre – changed the nature of Musical Theatre. So to be a musical worthy of such a comparison, speaks volumes to the brilliance of A TALE OF TWO CITIES. In my opinion this is one of the highest complements one can be given when creating an Epic dramatic musical. The fact that Broadway finally has another musical of this nature is reason enough to go running to the theatre to see it.

{Footnote: Les Miz initially received scathing reviews in most of the London papers, but within days of the opening, audiences spread the word and ticket sales sky-rocketed, and it played to sold-out houses from then on. – In my estimation, A TALE OF TWO CITiES audiences will do the same for this show.}

Before I went, I was warned that it was "long" although, surprisingly it didn't feel long at all; I could have sat through hours more of this magnificent production. Before I went, I knew that costumes would be beautiful and the show would be a spectacle (it is an Epic musical, after all, it is based on the Charles Dickens book). And if those were reasons enough to see it – the critics’ attempts to shut it down is the clincher.

This is an event that should not be passed over or slip away.

It celebrates the best and the worst of the human condition. It not only portrays inner struggles of one man but it inspires. Because it expresses the power of making life-changing choices as a result of our connections to those we love, A TALE OF TWO CITES is more than just a Broadway show, it’s an poignant and thrilling experience.

 Go see the greatest musical on Broadway today. A TALE OF TWO CITIES, it's amazing!